Salam....
Hari Ke Dua (22 Mac 2014)
Kami bersarapan di restoren dalam hotel sahaja. Jam 8.45 pg semua peserta berkumpul di lobi hotel. Dengan
menggunakan bas, kami mula bergerak dalam berkumpulan ke Ismael Samani Mausoleum.
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| View Terbitnya Fajar di Bumi Bukhara, Usbekistan |
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| View Breakfast...Buffet style...Nyam Nyamm.... |
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| View Laluan utama tp tak sesibuk KL....Nampak tenang... |
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| View Pintu masuk ke Komplek 'Ismael Samani Mausoleum'. Macam tempat funfair pun ada...sebenarnya kawasan ini juga merupakan taman riadah bagi penduduk Bukhara |
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| View Cantik taman niii.. semuanya dalam komplek yg sama. |
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| View Nii 'Ismael Samani Mausoleum'. Masuk dalam bayaran utk kamera sahaja dikenakan. Makamnya ada sebelah dalam. Yang tertariknya ialah binaan rekabentuk dari zaman yang berbeza. |
INFO
"The Samanid mausoleum is located in the
historical urban nucleus of the city of Bukhara, in a
park laid out on the site of an ancient cemetery. This mausoleum, one of the
most esteemed sights of Central Asian architecture, was built in the 9th
(10th) century (between 892 and 943) as the resting-place of Ismail Samani - a powerful and influential amir
of the Samanid
dynasty, one of the Persian
dynasty to rule in Central Asia, which held the city in the 9th and 10th
centuries. Although in the first instance the Samanids were Governors of Khorasan and Transoxiana under the suzerainty of the Abbasid Caliphate, the dynasty soon established virtual
independence from Baghdad.
For
many years the lower part of the mausoleum remained under a two-meter high
layer of sediment. Now the foundation has been cleared of these obstacles and
the mausoleum, fully restored, is open for observation from all sides as was
initially planned by the builders.
The
monument marks a new era in the development of Central Asian architecture,
which was revived after the Arab conquest of the region. The
architects continued to use an ancient tradition of baked brick construction,
but to a much higher standard than had been seen before. The construction and
artistic details of the brickwork, are still enormously impressive, and display
traditional features dating back to pre-Islamic culture.
The
mausoleum of Pakistan's founding father, Muhammad Ali Jinnah--Mazar-e-Quaid is modeled after this structure."
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| View Macam biasa.. satu post sebagai bukti... |
Kemudian meneruskan lawatan ke Chashma
Ayub Mausoleum dgn berjalan kaki. Di pertengahan jalan ada gerai menjual cenderamata. Kami pun singgah sebentar. Biasalah org Malaysia, semuanya nak tanya harga...'Selera Tajam Budget Ciput'.
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| View Beli bang.. jangan tak beli.... |
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| View Inilah binaan yang di panggil ''Chashma
Ayub Mausoleum'. Ia ada kaitan dengan Nabi Ayub. Dikatakan Nabi Ayub menekankan tongkatnya .. lalu keluarlah air... |
INFO
" Chashma-Ayub Mausoleum is located near the Samani
Mausoleum, in Bukhara, Uzbekistan. Its name means Job's well, due to the legend in which
Job (Ayub) visited this place and made a well by striking the ground with his
staff. The water of this well is still pure and is considered healing. A legend has it that the Bible prophet Job, having visited
this land, decided to help the people who suffered from water shortage in the
desert. He struck the ground with his stick, making a source of crystal clear
water sprang at that place. The people believe that the water from the source
possesses healing power.
The
current building was constructed during the reign of Timur
and features a Khwarazm-style conical dome uncommon in
Bukhara.
Chashma-Ayub
Mausoleum is in the middle of a small, ancient cemetery. The construction
suffered some losses, but the preserved parts represent a combination of a
harmonious entrance portal, and adjoining it are the remains of
the western curtain wall.
The
construction layout of the portal is in a traditional pattern, made up in the
form of two pylons, forming the niche overlapped by the semi vault. The II-shaped frame, the inside of
which forms the obverse surface, tympanum, and ktoba, is finished with an inscription
above the lancet
arch. The northern
part of the niche portal is a limited gable
wall with a doorway. From the western end the portal is adjoined by a deep
brick wall that measures 5.9 m, of which the western portion has been lost. The
wall is in the form of a trapezoid with a large base. The central room is
overlapped by the tent-peaked dome. Except for the proportions of the
construction, this monument has well-considered and perfectly executed
decoration, the basic part of which is concentrated on the portal. The most
effective place in the general composition of the decoration is ktoba, filled
with Arabic inscriptions on a background of botanical ornamentation. The portal
frame on the external contour is marked by the II-shaped zone, strengthened by girikh from intertwining octahedrons, made of terracotta bricks. Glazed inserts in turquoise
fill the central octahedral sockets. A tape borders the frame and ktoba. The
historical value of the monument consists of the exact dating written on ktoba
(1208-1209 .A.D.) or the 605th year of the Muslim Calendar."
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| View Perigi terhasil dari tongkat Nabi Ayub. Org tempatan sanggup minum airnya untuk mendapatkan berkat dan membersihkan diri..caya ke??? |
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| View Info mengenai sumber air dan kepentingannya. Bukhara ialah satu tempat singgah pada suatu masa dahuliu. |
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View 'Chashma
Ayub Mausoleum' dr sudut yang lain.
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Di depan Chasma Ayub Mausoleum terdapat pula Monument of 'Imam Al-Bukhari', yang menempatkan buku buku dan bahan penulisan dari Imam Bukhari. Kami masuk dah bayar cuma bayaran tambahan untuk kamera dikenakan.
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| View Monument of 'Imam Al-Bukhari' |
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| View Mamat niii ...... |
TG memberikan penerangan yang baik tentang kedua-dua binaan nii..
Kemudian kami bergerak ke Bolo Hauz Mosque. Perjalanan dah mula rasa jauh dan cuaca juga agak sejuk. Kami melalui jalan kecil yang kiri dan kanan penuh pelbagai perniagaan yang dijalankan oleh penduduk tempatan.
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| View Daging.... Boleh jadi kambing |
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| View Makcik nii jual buku dan majalah...kira oklah mencari sesuap nasi.. |
Akhirnya kami sampai di Bolo Hauz Mosque. Sangat unik masjid ni.. penuh dgn tiang tiang dari pokok yang di bawa dari Siberia. Masa kami datang masjid nii dalam pembaikan. Sempat sembahyang sunat masjid....
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| View..'Bolo Hauz Mosque' |
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| View..Bahagian mimbarnya...unik kan.... |
INFO
"Bolo-Khauz
Complex is the only preserved monument on the Registan Square. It is located on
the opposite site of Ark - the Emir's fortress. The complex consists of the
reservoir, Friday mosque and minaret.
The
most ancient part of the complex is the pond (Khauz), which is called as
Bolo-Khauz ("Children's reservoir"). It is one of several ponds
in Bukhara, that reached our days. In past these reservoirs were the water
source for the population and unfortunately the source of many deseases.
Therefore most of them were drained.
Bolo-Khauz
Mosque was built in 1712 by order of Emir's wife. The other legend says that
Emir Shakhmurad (1785-1800) built it for public prayers, because he liked to be
among common people. A wooden ceiling of ayvan (traditional verandah), which
leans on refined columns, is abundantly decorated with fretwork and ornamented
with floral and geometrical ornamental patterns. A short minaret was built in
1917 by Shirin Muradov, a famous master of Bukhara."
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| View..Pandangan dari depan... |
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| View..Mineret di Masjid Bolo Hauz |
Kemudian bergerak
pula Citadel Ark. Di depan Masjid Bolo Hauz ada tasik buatan. Di tepi jalan ada pula binaan nii... tak ingat namanya.
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| View..Menurut TG ini menara untuk melihat Citadel Ark and Bolo Hauz Mosque |
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| View..Citadel Ark. Dasyat penjara nii.. |
INFO
" Ark-Citadel is a residence of Bukhara khans.
According to the last excavations, it was
determined the citadel was on this place from 4 century BC. For many years of
building and destruction, 20 meters height artificial hill was formed; its
upper layers were built over in the time of last bokharan emirs. The wooden
part of Ark building was burnt down during the fire of 1920. The general
planning is being reestablished by historical documents. Ark included the whole
city, consisting of closely accreted houses; courts and yards with state institutions,
emir, his wives, and relatives and officials lodgings. Inside the trapeziform
outlines of citadel walls the planning was right-angled with traditional
cruciform crossing of main streets.
Ark included: emir lodging, throe-room, police
department, stables, stores of clothes, carpets, utensils, treasures, armoury,
jail, jeweler’s and other workshops, mint place, mosques, mazars and other
buildings. The first, you can see it is massive fortress gates of Ark - portal
with two-storey towers by sides from arch aperture and latticed architecture
gallery on top. Behind it there is a musical pavilion, built in 17 century,
two-coloured audience chamber, surrounded by gallery. Here during a day there
was performed a series of makoms – it is a musical work; through it people
could know the time (it is tradition left from zoroastrizm time). From ayvan,
tsarevitches was looking at solemnities and executions at Registan Square
before Ark. To citadel inside leads from Ark gates the gloomy, arched and
raising up passage-dalon. By its side there can be seen 12 niches, leading to
damp dungeons, where prisoners were lauguishing. There were awful casemates and
in dungeons under bridge of planks and Ark gates towers.
To the south of entrance from the dalon, there is the most interesting of
reserved monuments – throne-room of Bukharan emir, drawing room for ceremonies
and festivals. It was vast, brick-paved yard surrounded by ayvans on
well-proportioned wooden pillars from 3 sides. On the long axis yard in deep
ayvan there is emir throne. This marble “takht” dated to 1669, under painted,
wooden canopy on fretted marble pillars, was made by Nuratian masters"
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| View..Aku dah sampai di Citadel Art, Bukhara |
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| View..Pintu masuk Citadel Ark. |
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| View..Laluan terowong. Di kiri kanan ada sampel tahanan yang dipenjarankan suatu ketika dahulu |
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| View..Macam biasa ada gerai menjual cenderama. |
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| View..Dr atas pintu masuk... |
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| View..Binaan Mineret ini mesti ada pada mana mana binaan di Usbekistan. Ia dipengaruhi dari senibina islam. |
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| View..Di bahagian dewan persembahan yang berada di tengah tengan binaan ini |
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| View..Tinggalan sejarah ketika mempertahankan Kota ini. |
Kami menghabiskan masa lebih dari satu jam. Di bahagian laman Citadel Art ada pelbagai tungangan yang boleh kita tunggang tapi sudah tentu ada bayarannya.
Kemudian bergerak
pula ke Poi Kalon Ensemble. Satu kompleks yang besar yang menempatkan 4 bangunan tarikan iaitu Kalyan mosque, Mini-Arab Madrasah yang salling berdepan antara satu sama lain, Di anatara madarasah tu ada Kalyan minaret (menara yang besar dan tinggi) dan bahagian selatan Mini-Arab terdapat bangunan kecil iaitu Amir-Allimkhan Madrasah.
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| View..Pintu Masuk Kalyan Mosque, kiri ialah Kalyan Mosque dan kanan bangunan yang terbesar dalam kompleks ini ialah Mini arab Mmadrasah |
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| View..Nii laa pintu masuk Mini Arab Madrasah |
INFO
:It is the main ensemble in Bukhara center, situated
on the way to trade crossing of "four bazars" and Poi-Kalyan means
“the pedestal of the Great” (it means “the pedestal of Kalyan minaret”).
Ensemble consists of 4 monuments: Kalyan mosque and Mini-Arab Madrasah – faced
to each other with main fronts; between them is Kalyan minaret; to the south of
Mini-Arab there is small Amir-Allimkhan Madrasah.
Kalyan Minaret – it is a great vertical pillar,
rising above the city. To proclaim the appeal to the pray – azal, it was enough
to rise mosque roof, as it was in first centuries after Islam establishment.
The word “minaret” descends from “minor” – it is a place, where something is on
fire, the fire was set in leading light like this, between them in ancient
world there were vast many-storey towers, like Phaross light-house of 143
meters height, dating to 283 BC.
Minarets played an exceptional role in architectual
ensembles creating the city peculiarity.
In the beginning of 12 century – Arslan-khan ordered to transfer the
minaret of old cathedral mosque far from fortress. When this work had been
finished “someone overlooked the building”, minaret fell on the cathedral
mosque and destroyed its 2/3. For the second time Arslan-khan ordered to built
minaret. By inscription in turquoise majolica, under light cornice of Kalyan
minaret, it was determined that it was finished in 1127. You can read “the name
of Arslan-khan” on the half weight of stem. And it was found the name of master
– Bano, whose burial place, local inhabitants pointed out between the next
blockhouses. Kalyan minaret represents characteristic Maveranahr style of
roundtrunk brick tower, decorated by the arch light. Its lower diameter – 9
meters, up diameter – 6 meters, total height is 45,6 meters. There is a
brink-winding staircase inside trunk. Sixteen-arch light rotunda hangs over
minaret trunk leaning on running out laying rows, decorated as stalactite
cornice."
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| View..Kalyan mosque dan Great Minaret di Bukhara |
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| View..Kalyan Mosque, Great Minaret dan yang kecil tu Amir-Alimmkhan Madrasah |
INFO
The
minaret, designed by Bako, was built by the Qarakhanid ruler Mohammad Arslan Khan in 1127 to summon
Muslims to prayer five times a day. An earlier tower collapsed before
completion. It is made in the form of a circular-pillar baked brick tower,
narrowing upwards. It is 45.6 metres (149.61 ft) high (48 metres including
the point), of 9 metres (29.53 ft) diameter at the bottom and 6 metres
(19.69 ft) overhead."
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| View..On the way balik hotel kami lalui Arab Street yang merupakan laluan yang penuh gerai jualan. |
Tepat
jam 1.10 tgh balik semula ke hotel untuk solat. TL inggatkan peserta untuk
berkumpul semula di lobi hotel jam 2.15 ptg.
Tepat jam
2.20 ptg, kami bergerak ke restoren tempatan (Doston House). Kami
disajikan briani tempatan dengan demo cara memasaknya.
Jam 3.00 ptg bergerak
pula ke Magoki-Attori Mosque.
Kemudian ke Lyabi-khauz Ensemble
yang mana dalamnya terdapat Bahouddin
Nashbandi Mausoleum.
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| View..Jelas terbukti kami di penghujung musim sejuk. Kiri kanan pokok tak berdaun. |
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| View..Pintu masuk Lyabi-khauz Ensemble . |
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| View..Kiri kanan tu kubur lama...tapi agak tinggi... |
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| View..Nampakkan kubur kubur tu...bungkah yang melenkung tu kubur... |
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| View..Bahouddin
Nashbandi Mausoleum. Sesetengah penduduknya memuja kubur ini. Ada yang berpendapat dengan membuat tawaf sebanyak tujuk kali, doanya akan termakbul....Khurafat betul.... |
INFO
"Baha-ud-Din
Naqshband Bukhari
(1318–1389) was the founder of what would become one of the largest and most
influential Sufi Muslim orders, the Naqshbandi.
Concerning
his life much information is lacking. This is not surprising since he forbade
his followers to record anything of his deeds or sayings during his lifetime,
and writings composed soon after his death, such as the Anis at-Talibin
of Salah ad-Din Muhammad Bukhari (d. 1383), concentrate upon matters of
spiritual and moral interest."
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| View..Bahouddin
Nashbandi Mausoleum.Banyak bangku disediakan. Nampaktak tali hijau sekeliling kubur tu... tu tujuannya utk menghalang penduduk membuat tawaf pada kubur. |
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| View..Telah menjadi trademark Usbekistan... Mana mana ada Minaret nii. |
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| View..Pokok nii juga menjadi pujaan pendufuk tempatan. Mereka sanggup mengcungkil kulit pokok untuk dijadikan azimat. Pokok ini dipercayai dari tongkat Bahouddin
Nashbandi. Entahlah sukar utk dipercayai.... |
Jam 5.00 ptg
bergerak semula ke hotel. Peserta diberikan masa untuk free n easy ke Bukhara Dome Bazaar’s yang berdekatan dgn hotel. TL meminta peserta
berkumpul di lobi jam 6.30 ptg utk ke restoren tempatan (Caravan restoren) untuk makan
mlm.
Jam 7.00 mlm bergerak ke restoren tempatan utk makan mlm. Jam 8.30 mlm
balik semula ke hotel. TL inggatkan peserta keesokkan program: Jam 5.00 pg wake
up call, breakfast jam 6.30 pg dan berkumpul di lobi jam 7.50 pg utk ke Samarkand. TL inggatkan peserta juga
agar membawa beg turun ke lobi. Kita bergerak awal 1 jam dari iteanery yang
dicadangkan. Peserta juga di minta membawa sedikit makanan kerana perjalanan
ini mengambil masa 5 jam.
Ok bye.. see u again
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